Minglewood Blues-> Bertha-> Dancin' In The Streets, Big Railroad Blues-> El Paso, To Lay Me Down, Lazy Lightning-> Supplication, Bird Song-> Looks Like Rain-> Deal
Women Are Smarter, Candyman, Estimated Prophet-> Eyes Of The World-> Drums-> Truckin'-> Goin' Down The Road Feelin' Bad-> Black Peter-> I Need A Miracle-> Good Lovin', E: Don't Ease Me In
- The start of "Lazy Lightning" and the end of "Looks Like Rain" are missing from the aud, these have been patched in
from the sbd
- The aud was missing around 27 seconds of "Drums," which has been patched in from the sbd
- The aud was missing around 15 seconds of "Space," which has been patched in from the sbd
- Some sections of applause and tuning were missing from the aud and have been patched in from the sbd
August 15, 2014 Subject:
Good show overall; I just don't like it when they haste Eyes like they always did in this era.
April 18, 2014 Subject:
I have to agree with the first review, this sounds like Municipal Auditorium, and it sounds very good indeed. A fine show.
April 18, 2014 Subject:
This Is The Real Deal Folks !!!
I've been waiting for an upgrade of this show for a few years now, and SirMick has provided a very competent and very much appreciated matrix. The SBD is not overly vocal-saturated and the 60/40% mix is just exactly perfect. And for some reason, it blends very well too. Usually, AUDs and SBDs can be so different in clarity and dimension, you notice the separation in the mix. In this matrix, with the SBD being a little softer in the capture, the separation is not there and the recording sounds more natural to me. This is a very well produced production. Thanks SirMick. Nice job.
And in saying that, with this being a killer performance (as per my other Neumann KM-184 AUD review of this show, I am happy to give it the ol' GD "X" Factor seal of approval. This is a hair-raiser kids. Grab it while you can !!!
Source: Two source matrix: 70% sbd/30% aud with a few level adjustments; sbd: Cassette Master (TDK SA-X100/Tascam Deck); transferred and master by Charlie Miller; Resampled an dithered with iZotope RX 6 Advanced; and aud: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recorded by James Young & Clay Brennecke, transferred by Todd Evans and mastered by Jamie Waddell; matrix created with Adobe Audition 1.5 SIRMick
favoritefavoritefavoritefavorite ( 1 reviews ) Source: Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7
favoritefavoritefavoritefavorite ( 1 reviews ) Source: Matrix 3 Source Mix - SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin